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Funk rock is a fusion genre that blends the rhythmic groove of funk with the energy and instrumentation of rock, creating a sound defined by prominent basslines, tight drum patterns, and electric guitar riffs. Emerging in the late 1960s and gaining momentum through the 1970s, funk rock evolved as artists experimented with integrating funk’s syncopated rhythms into rock’s structure. The genre saw a resurgence in the 1980s and 1990s, with musicians incorporating elements of punk, metal, hip-hop, and experimental sounds, leading to the development of funk metal and other hybrid styles. Funk rock continues to thrive as a dynamic and influential genre, maintaining its signature emphasis on rhythm and groove.
Numerous bands, with their best days long behind them, set aside long-standing disputes and regroup to record and tour. It offers a chance to perform again and score a paycheck. Usually, these efforts garner some attention and enthusiasm but very little in the way of headlines. An exception happened in September of ’24. Jane’s Addiction…
High school is a great place to start a Rock band. However, it’s difficult to keep the thing going once everyone graduates. In ’91, Incubus came together with school chums Brandon Boyd (vocals), Mike Einziger (guitars), Alex Katunich (bass) and Jose Pasillias (drums). Soon the group was playing the all-ages club circuit throughout their native…
On this day… Red Hot Chili Peppers’ ninth album, “Stadium Arcadium,” dropped. It became the band’s first #1 on the Billboard 200 chart. The set was first released in Germany (May 9th in the U.S.). It produced five singles Including “Dani California,” which spent fourteen weeks at #1 on the Billboard Alternative Songs chart, and “Snow…
A relaxed, exploratory sprawl with a familiar groove, this album finds a seasoned band stretching without straining. Funky, fluid, and occasionally soaring, it’s less about hits and more about vibe, chemistry, and the joy of playing together again.
Heaven to a Tortured Mind is a genre-bending album by Yves Tumor, blending art rock, electronic, soul, and funk. Its chaotic beauty creates an immersive, surreal atmosphere, where Tumor’s vocal range and experimental production explore tension, liberation, and emotion.
I’m with You captures Red Hot Chili Peppers at ease with themselves—looser, older, and still funky. Klinghoffer’s textures bring a new shade to their sound, while the band grooves through grief, joy, and oddities like pros in no rush to prove anything.
Dear Science is a restless, electrifying statement—raw energy, sharp conviction, and moments of fragile beauty colliding into one urgent broadcast.
Stadium Arcadium is RHCP at their most expansive—28 tracks of funk, rock, and reflection. Frusciante shines, Flea grooves, and Kiedis is full tilt weird and heartfelt. It’s indulgent, messy, and full of life—classic Chili Peppers in widescreen mode.
By the Way is the sound of a band settling into its skin—not resting, but breathing. Less slap, more soul. Less freakout, more feeling. The funk is still in there, but it’s buried under melodies, melancholy, and a new kind of California cool.
Make Yourself finds Incubus balancing polish and abrasion, delivering hooks without sacrificing edge. The album thrives on tension—between groove and atmosphere, melody and grit—and channels that friction into songs that still hit with clarity and fire.