Pop Evil’s Spring Tour
Pop Evil has announced a spring “What Remains” headline tour. The trek begins on April 8th in Tulsa and runs through May 18th in Bloomington, IL.
Devour The Day (which features Pop Evil members, bassist Joey “Chicago” Walser and drummer Blake Allison), Return To Dust and Oni are the supporting acts.
“We’re bringing the chaos with us,” Pop Evil said. “It’s a sonic onslaught. But this tour isn’t just another run of shows, it’s a statement. A reckoning. A test of endurance for those who crave something more.”
Pop Evil Tour Dates:
March 20 – New York NY – SiriusXM Octane “What Remains Album Release at Cult of Individuality
April 08 – Tulsa, OK – Cains Ballroom
April 10 – Dallas, TX – Echo Soundstage
April 11 – Little Rock, AR – The Hall
April 12 – Colombia, MO – The Blue Note
April 13 – Lincoln, NE – Bourbon Theatre
April 14 – Denver, CO – Oriental
April 15 – Colorado Springs, CO – The Black Sheep
April 17 – Los Angeles, CA – Regent Theater
April 19 – Phoenix, AZ – Marquee Theatre
April 22 – Boise, ID – Knitting Factory
April 23 – Seattle, WA – The Neptune
April 24 – Spokane, WA – Knitting Factory
April 25 – Salem, OR – Elsinore Theatre
April 26 – Reno, NV – Cargo
April 29 – Vancouver, BC – Rickshaw Theatre
May 01 – Calgary, AB – The Palace Theatre
May 02 – Edmonton, AB – Century Show Room
May 03 – Saskatoon, SK – Louis
May 04 – Winnipeg, MB – Park Theatre
May 06 – Chicago, IL – Bottom Lounge
May 07 – Green Bay, WI – EPIC
May 08 – Des Moines, IA – Wooly’s
May 09 – Grand Rapids, MI – 20 Monroe
May 10 – Detroit, MI – The Fillmore
May 12 – Lititz, PA – Mickey’s
May 15 – Charlotte, NC – The Underground
May 16 – Myrtle Beach, SC – House of Blues
May 17 – Louisville, KY – Mercury Ballroom
May 18 – Bloomington, IL – The Castle Theatre
The tour supports Pop Evil’s forthcoming eighth album, “What Remains,” which arrives March 21st.
“We set out to push boundaries,” explained frontman Leigh Kakaty. “Metal has always been a part of our DNA, but we’ve never made it such a focal point before. A lot of writing on this record has been about listening to what my soul is saying and letting the songs find their own path, rather than chasing a sound that might fit in on the radio.”
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