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Progressive rock, or prog rock, emerged in the late 1960s and reached its zenith in the 1970s, characterized by its ambition to push the boundaries of conventional rock music. Bands like Pink Floyd, Yes, and Genesis led the way, incorporating complex compositions, intricate instrumental arrangements, and often philosophical or fantastical lyrics.
Prog rock eschewed the typical verse-chorus-verse structure in favor of extended instrumental passages and conceptual album themes. The genre’s virtuosity extended to its musicianship, with elaborate solos and use of non-traditional instruments. While some criticized progressive rock for its perceived pretentiousness, its impact on the evolution of rock music cannot be overstated, influencing subsequent generations of musicians and contributing to the broader spectrum of experimental and art-oriented genres.
The Genesis story covers three distinctly different periods: Genesis with Peter Gabriel, then the post-Gabriel Genesis, and finally the ‘80s Phil Collins-led incarnation with remaining members Mike Rutherford and Tony Banks. Active Members Start Date: End Date:
Greta Van Fleet – Album Greta Van Fleet’s Starcatcher doesn’t waste time pretending they’re something they’re not. It’s another dive into their retro-fueled, bombastic riff parade—a love letter to the ’70s with plenty of pageantry, glitter, and thunder. But this time, the band seems less interested in defending their sound and more focused on refining…
Anxious, twitchy, and strangely playful, this album trades legacy for freedom—paranoia grooves, angular riffs pulse, and dread shimmers with sly charm. It’s a leaner, looser exploration of modern unease that dances while everything quietly unravels.
Jack White – Fear of the Dawn Fear of the Dawn is Jack White getting weird in his own basement and deciding to crank it up for the neighborhood to hear. It’s chaotic, sharp-edged, electrified to the point of combustion. This isn’t the elegant, folky troubadour of Blunderbuss or Lazaretto. This is the mad scientist…
The Battle at Garden’s Gate is a bold, theatrical leap into grandeur—classic rock meets prog ambition. Mythic lyrics, cinematic swells, and soaring vocals mix with sincere naiveté. It’s big, loud, and unafraid to overreach for the stars.
A slow, eerie drift through decay and detachment—less roar, more reckoning. This is a late-night whisper of an album, trading rage for resignation, riffs for shadows, and offering no easy answers—just unease, nuance, and a long, cold stare.
Watershed isn’t tidy. It’s messy, dramatic, and full of left turns. But that’s what makes it fascinating. It doesn’t just mark the end of an era—it shows you what the next one might sound like, even if it doesn’t know exactly how to get there yet.
Rush’s Snakes & Arrows isn’t nostalgia—it’s a thunderous, philosophical blast from three veterans still evolving. Gritty, heavy, and full of soul, it finds Lee, Lifeson, and Peart pushing forward with brains, brawn, and zero interest in coasting.
Tool – Lateralus Tool doesn’t write songs so much as rituals. Lateralus isn’t a record you casually toss on while folding laundry. It demands attention, patience, and maybe a stiff drink or two. It’s architecture in sound—songs spiraling inward and outward, like Fibonacci’s ghost decided to front a prog-metal band with a few scores to…
Mer de Noms isn’t just a good debut—it’s a spell. An atmosphere. A slow-burning fever dream for those who like their rock with a little more elegance and a lot more bite. It aches, it roars, and it whispers things you’ll be thinking about long after it ends.