The Doors - Waiting for the Sun (1968)

The Doors – Waiting for the Sun

Waiting for the Sun is considered one of the best rock albums for its dynamic blend of poetry, psychedelia, and raw rock energy. This album combines atmospheric soundscapes and provocative themes, marking a key moment in the development of late-60s rock.

Iron Butterfly – In-A-Gadda-Da-Vida (1968)
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Iron Butterfly – In-A-Gadda-Da-Vida

In-A-Gadda-Da-Vida by Iron Butterfly is a landmark album in heavy metal and psychedelic rock. The album’s title track is a 17-minute epic that is often regarded as one of rock’s first “jam” compositions and captivated audiences, setting a new standard for psychedelic music.

Cream - Wheels of Fire (1968)
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Cream – Wheels of Fire

Across this sprawling double album, you can hear the group lean harder into their blues roots while blowing out the speakers with raw volume and wild improvisation. It’s messy, thrilling, and more than a little unhinged—which is exactly what makes it great.

Small Faces – Small Faces (1967)

Small Faces – Small Faces

This album captures the youthful energy and rebellious spirit of 60s Britain showcasing their raw talent and dynamic style. Known for Steve Marriott’s powerful vocals and the band’s tight, soulful grooves, Small Faces helped lay the foundation for the mod and psychedelic movements that followed.

Moby Grape – Moby Grape
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Moby Grape – Moby Grape

The self-titled debut album by Moby Grape, deserves recognition among the best rock albums for its seamless blend of rock, folk, blues, and psychedelia. Released in 1967, this album showcases the band’s impressive harmonies and versatility, with each member contributing equally to its unique sound.

The Beatles – Sgt. Pepper's Lonely Hearts Club Band (1967)
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The Beatles – Sgt. Pepper’s Lonely Hearts Club Band

Considered one of the earliest art rock LPs and a precursor to progressive rock, Sgt. Pepper is a pivotal piece of British psychedelic music. It combines a variety of styles, including as Western and Indian classical music, circus, music hall, and avant-garde. Many of the recordings were colored with sound effects and tape manipulation with the help of Geoff Emerick and George Martin.