Killswitch Engage
Metal, probably more than any other type of Rock music, is physically demanding. Every night it is balls to the walls, full-on mayhem. Worse when the group is touring.
Two Massachusetts based groups bit the dust so members from each decided to try again. Former Overcast bassist Mike D' Antonio (Mike D) linked with ex-Aftershock guitarists Joel Stroetzel and drummer Mike Adam Dutkiewitz. Vocalist Jesse Leach completed Killswitch Engage's original line-up. A run of impressive local shows resulted in an opening act spot supporting In Flames. That, in turn, led to signing with the indie Ferret Records and the release of "Killswitch Engage" in '00.
The group moved to Roadrunner Records for their '02 release, the Dutkiewitz produced, "Alive Or Just Breathing." They continued their hard core sound and were rewarded with airplay and touring opportunities. But all was not well. Leach abruptly departed citing vocal problems. He was hastily replaced by Blood Has Been Shed vocalist Howard Jones. His first Killswitch Engage gig was the Hellfest Festival where he amply demonstrated that the group had made the right choice. Killswitch Engage also hit the Ozzfest Tour and MTV2 Headbanger's Ball.
When Dutkiewitz moved from drums to guitar it allowed another former Aftershock member, Tom Gomes, to join. Killswitch Engage then embarked on a killer European tour. '04 release "The End Of The Heartache" had yet another drummer, Justin Foley, and featured "When Darkness Falls" which blasted through the closing credits of Freddy Vs. Jason.
Killswitch Engage's '06 effort (released November 21st), "As Daylight Dies," contained the lead single, "The Curse." As a result, band was named the Act of the Year and Outstanding Metal/Hardcore Band of the Year at the '07 Boston Music Awards. They did not attend.
"Alive Or Just Breathing" with "Just Barely Breathing" and "Numbered Days" is an awesome Metal album and the pinnacle of the group's tenure with Leach. On "The End Of The Heartache" Jones doesn't veer far from Leach's vocal attack, which is a deep-throated roar. "Take This Oath" is a harsh, burning number as is "When Darkness Falls" (a great way to end a slasher movie).
They show some depth, and are better for it, on "Rose Of Sharyn" and the title track where the pulsating guitars shoot through to a climax. "Bid Farewell" is pure doomsday Rock while the back to back "World Ablaze" and "And Embers Rise" is just what you'd expect. The former is a dime-a-dozen death Metal track while the latter features contemplative guitars. An effective two-song theater piece.
The good news is Killswitch Engage doesn't stoop to produce a ballad, power ballad or blatantly accessible songs to curry pop favor. "As Daylight Dies," mixes clean and clear guitar riffs with Jones' thunderous vocals. And like any Metal band worth the price of admission, they are at their best when they attack songs full-tilt ("This Is Absolution," "For You," "Eye Of The Storm" and "Reject Yourself," in particular). They explode through tracks with violent abandon though sometimes they trip on their own roar ("Desperate Times").
Lyrically, they have not ventured far from their original concept with the lines "stop me before I bleed, again" and "crawling back into the dark" (both from "The Arms Of Sorrow"). They are as defiant and self-assured as ever. "We will not die this way (this is absolution), death claims us no more (no more)" (from "This Is Absolution"). About as close as they come to a love song is "The Curse" ("there is love burning to find you"), which is more about longing and pain. Is that why it was chosen as the lead single?